Viewpoint

The sociological eye means looking at things for what they are, as best we can given the blinders of interest and ideology, of cliché and ritualized belief. It is not an individual enterprise. Chaining our efforts together as a long-term network of theorists and researchers improves one’s own sociological vision, provided we make the effort. The sociological eye holds up a periscope above the tides of political and intellectual partisanship, spying out the patterns of social life in every direction.

Sunday, April 17, 2016

WHAT HAS MICRO-SOCIOLOGY ACCOMPLISHED?


When Erving Goffman arrived at University of Chicago in the late 1940s, he was an ardent Freudian. A few years later he devised a new way to study mental illness: he got himself into the schizophrenic ward of a mental hospital, incognito, for two years. Instead of the retrospective method of psychoanalysis, probing for the meaning of symptoms deep in past childhood, Goffman directly observed what mental illness is in the present, as disturbed social interaction.

Goffman is an emblem of the take-off of micro-sociology. No one creates an intellectual movement by oneself. In the background were not only the Freudians, seeking unconscious meanings in everyday life; also what Blumer named Symbolic Interactionism, emphasizing the social construction of the self and everything else.  At Berkeley in 1964, after a student sit-in for civil rights shut down the university, Blumer commented to us in class: a social institution exists only as long as it is enacted; when we collectively stop enacting it, it stops existing.

Another movement was springing up, the ethnomethodologists, insisting that sociology does not even exist, but only the study of folk methods for making sense of what is taken for reality. This was the phenomenology of everyday life, in the sense of Husserl and Schutz, but Garfinkel and his followers changed it from philosophical introspection into micro-situational observation. Especially important was the invention of conversation analysis by tape-recording real-life conversation. This shifted the emphasis from the cognitive and rather individualistic focus of phenomenology onto the details of social interaction; and transcribing the tape-recordings made it possible for other researchers to examine the empirical findings and to point out new patterns in them. When Sacks, Schegloff and Jefferson in 1974 laid out the turn-taking rule as the fundamental process of talk, it became possible to reinterpret it later as the socially ideal form: no gap, no overlap between speakers is talk in maximally attuned rhythm, and it exemplifies high solidarity in that little temporary group. Violating the no gap rule gives embarrassing pauses, micro-indications of what Goffman called alienation from interaction. Violating the no-overlap rule is people trying to talk over each other; this is the most characteristic form of incipient conflict and struggle for dominance, as became clearer in micro-studies of violence. By reinterpreting the data I assimilated the empirical findings of conversation analysis to a Durkheim-Goffman synthesis eventually called interaction ritual chains. I can’t say my ethnomethodological acquaintances were happy with this Gestalt shift; but theoretical reinterpretation of good evidence is how research fields build new knowledge.

Feedback between innovation in research methods and theoretical concepts has driven the advance of micro-sociology. New research techniques spin off from each other. By the 1990s came portable video recorders, followed by even more ubiquitous mobile phone cameras and CCTV. Knowing what to look for theoretically makes photos key evidence, because we can read photos in tandem with new understanding of the emotions in facial expressions, body postures and rhythms (research by Paul Ekman and others). We are seeing what causes what in the micro-dynamics of situations, both conflict and domination, alienation and solidarity. The deepening spiral between research technology and theory also improves traditional methods of observation and interviewing; it sharpens our ethnographic eye as to what to look for and what kinds of detail to probe for in our questions. Today’s ethnographer can say, I am a camera, echoing Christopher Isherwood describing Berlin in the 1930s.

Goffman exemplifies how traditional methods of participant observation yielded theoretical results that assimilate other strands. In the 1950s Goffman deserted Freud for Durkheim, reinvigorating the social anthropology that he learned from his British Commonwealth teachers. Like Lloyd Warner and Mary Douglas, he brought ritual home from the colonies and applied it to our own natives, ourselves. Durkheim’s theory of religious and political rituals takes us beyond the cognitive emphasis of both symbolic interaction and phenomenology; it gives us a mechanism that generates solidarity, morality and cognition simultaneously by pumping up symbols with shared emotion. Although the macro-sociological version of Durkheimian theory was functionalist equilibrium, Durkheim down-sized to the interacting group becomes dynamic. It makes a great addition to the study of historical and even revolutionary changes when religions, regimes, and manners are delegitimated and replaced by more engrossing ones. The ingredients that produce successful rituals are variable; when assembly, mutual focus, shared emotion and rhythmic synchronization are absent or disrupted, sacred objects are desacralized, cultural beliefs fade, and moralities become outdated. Far from being a idealization of perpetual solidarity, neo-Durkheimian micro-sociology is a tool for dissecting social change and conflict. When Lloyd Warner shifted from Australian clans to American cities, he found more than one tribe: social classes, stacked up like a totem pole. What Marx and Engels called the means of mental production and Gramsci called hegemony is determined by the micro-sociology of interaction rituals; but we don’t have to wait for macro crises in the system to bring changes, since the ingredients for stability and change are here at the micro level.

Followers of Goffman, Blumer and Garfinkel have proliferated in the last 40 years, producing many strands of micro-sociological research. I will single out a few areas of recent discovery. As a link between mid-20th century and today, consider some theoretical developments in the sociology of emotions.

There is the pioneering work by Theodore Kemper; by Tom Scheff on the shame-rage cycle; and by Norbert Wiley, whose 1994 book The Semiotic Self is probably the greatest contribution to symbolic interactionist theory since Mead. Here I will concentrate on a particular pathway.

Arlie Hochschild’s  ethnography of flight attendants uncovered emotion work, Goffmanian efforts to control the emotional frontstage of the situation, as part of the job. This led to a large body of research on workers’ emotional presentations. Perhaps Jack Katz’s title,  How Emotions Work, is a riff on “emotion work”,  while he shifts to radically situational methods, visual and auditory recordings, and a more embodied theorization. Katz dissects the major emotions by examining in micro-detail interactional situations where they happen. Laughter, the happy solidarity emotion par excellence, he finds in the fun house of mirrors. But seeing the distorting image of one’s body in the mirror is not enough to produce laughter; instead the child runs to bring father or mother; they all focus together on the image, and then they laugh. The emotion is spontaneous and bodily self-entraining in the physical rhythms of laughter, but it is body-to-body entrainment channeled by a sharpened mutual focus of attention. The physiological process is social physiology, and it works from the outside in. Katz starts from phenomenology but what he finds is deeply social and embodied.

And emotions are moments in a sequence through time. Road rage comes from disrupted rhythms and frustration over the lack of communication channels with the other driver, other than using the car itself to make embodied gestures like cutting the other car off. Time-dynamics are also crucial for the various kinds of crying that Katz records, such as resistance by a small child to her pre-school teacher, producing a rising-and-falling whine along with each exercise she is being forced to do, while retreating into the fortress of resonance inside her own whining body. Whining is truly a weapon of the weak, and in a child-centered age, sometimes a local source of power. This is a long way from Freud, but deepening what he was trying to do.

Another important theorization of emotions comes from Jonathan Turner, by reconceptualizing evidence of human evolution. Humans diverged from other primates, not at first by larger brains but by increased neural wiring between emotional and cognitive centers. Humans thus have a much more differentiated range of emotions they can express and recognize in others, in face, voice, and gesture. This enables more flexible kinds of solidarity and social coordination; it enables religious and other rituals, marking both group membership and moral obligation, and boundaries to outsiders; and it enables ways of manufacturing new memberships. The Durkheimian mechanism was there at the origins of human society. The entwining of emotion, cognition and their embodied communication are what made possible speech and memory codified into symbols, which is to say culture as well as personal habitus. What one thinks comes from the symbols and gestures that spring most spontaneously to one’s consciousness, because those have been marked by strong emotions, positive or negative, deriving from the most successful interaction rituals, or from the searing memories of dramatically broken rituals.

In recent years neuro-physiological research has caught up with the Durkheimian point, recognizing that strong memories are emotionally marked; the rational emotionless calculator assumed by many non-sociologists as the epitome of human behavior does not fit everyday cognition. It is nice to have some legitimacy conferred by the so-called hard sciences. But micro-sociology still leads the way, since mirror neurons do not work automatically across all situations; the human brain is programmed from the outside in, by the success or failure of social interactions to generate emotions focused on shared experiences in the chains of everyday life.

Interaction ritual theory has been applied in the sociology of religion, not surprisingly since this is where Durkheim originated it. But there are many different kinds of religions in today’s religious marketplace. Scott Draper, using survey methods but asking the right questions about religious practice, shows how churches generate different amounts and kinds of spiritual experience by different mixes of  ingredients. Sociology of prayer examines the micro-details of what is said, done, and experienced. Michal Pagis’s research on group meditation shows that even in a retreat where persons are not supposed to talk or even communicate by gestures, nevertheless they orient bodily to each other and follow the lead of more experienced meditators in falling into a harmonious rhythm. That this rhythm is shared comes out by the contrast to meditating at home alone; individuals find it much more difficult to maintain concentration, and feel a need to return to the silent meditation group to keep up their spiritual experience.

I will add a parallel that is perhaps surprising. Those who know Loic Wacquant would not expect to find silent harmony. Nevertheless, Wacquant’s study of a boxing gym finds a similar pattern: there is little that boxers do in the gym that they could not do at home alone, except sparring; but in the gym they perform exercises like skipping, hitting the bags, strengthening stomach muscles, all in 3-minute segments to the ring of the bell that governs rounds in the ring. When everyone in the gym is in the same rhythm, they are animated by a collective feeling; they become boxers dedicated to their craft, not so much through minds but as an embodied project. Although Wacquant does not conceptualize this in Durkheimian terms, nevertheless his research contributes via the theoretical reframing of good data.

Now some applications of micro-sociological methods and theory to mainstream sociological topics: especially our concern with stratification, inequality, power, conflict and resistance.

I began to study violence when I realized that conflict theory in the Weberian sense had very little action in it, but was comparative statics. Micro-methods brought new discoveries. Originally our data were police statistics, bureaucratic artifacts remote from the scene of action. Closer data came from interviewers armed with symbolic interactionism, talking to prisoners or doing gang ethnographies. A different slant emerges when we look directly at violent confrontations. The first inkling came in World War II, when S.L.A. Marshall interviewed combat soldiers immediately after battle, and found only a small proportion actually fired their weapons at the enemy. Later the Army psychologist Dave Grossman found evidence they are held back not by fear of being hurt (since persons in some situations ignore very high danger, including medics, and officers who are not using weapons); they are inhibited by a deep-seated fear of killing someone. This sounds paradoxical but I have connected it with several wide-spread patterns.

A large proportion of violent confrontations of all kinds-- street fights, riots, etc.-- quickly abort; and most persons in those situations  act like Marshall’s soldiers-- they let a small minority of the group do all the violence. Now that we have photos and videos of violent situations, we see that at the moment of action the expression on the faces of the most violent participants is fear.  Our folk belief is that anger is the emotion of violence, but anger appears mostly before any violence happens, and in controlled situations where individuals bluster at a distant enemy. I have called this confrontational tension/fear; it is the confrontation itself that generates the tension, more than fear of what will happen to oneself. Confrontational tension is debilitating; phenomenologically we know (mainly from police debriefings after shootings) that it produces perceptual distortions; physiologically it generates racing heart beat, an adrenaline rush which at high levels results in loss of bodily control.

This explains another, as yet little recognized pattern: when violence actually happens, it is usually incompetent. Most of the times people fire a gun at a  human target, they miss; their shots go wide, they hit the wrong person, sometimes a bystander, sometimes friendly fire on their own side. This is a product of the situation, the confrontation.  We know this because the accuracy of soldiers and police on firing ranges is much higher than when firing at a human target. We can pin this down further; inhibition in live firing declines with greater distance; artillery troops are more reliable than infantry with small arms, so are fighter and bomber crews and navy crews; it is not the statistical chances of being killed or injured by the enemy that makes close-range fighters incompetent. At the other end of the spectrum, very close face-to-face confrontation makes firing even more inaccurate; shootings at a distance of less than 2 meters are extremely inaccurate. Is this paradoxical?  It is facing the other person at a normal distance for social interaction that is so difficult. Seeing the other person’s face, and being seen by him or her seeing your seeing, is what creates the most tension. Snipers with telescopic lenses can be extremely accurate, even when they see their target’s face; what they do not see is the target looking back; there is no mutual attention, no intersubjectivity. Mafia hit men strike unexpectedly and preferably from behind, relying on deception and normal appearances so that there is no face confrontation. This is also why executioners used to wear hoods; and why persons wearing face masks commit more violence than those with bare faces. 

NOTE THE POLICY IMPLICATION:  The fashion in recent years among elite police units to wear balaclava-style face masks during their raids should be eliminated. It operates as a status marker for such units, and in some countries as a deliberate effort to intimidate people; but in democracies like the United States it ought to be recognized by police authorities that wearing masks increases the likelihood of out-of-control violence by these forces.

Confrontational tension/fear is a corollary to interaction ritual theory. Mutual focus of attention-- awareness of each other’s awareness-- is an ingredient of high mutual entrainment; normally, with a shared emotion building up, the result is collective effervescence and solidarity.  But conflict is action at cross purposes. Face-to-face confrontation simultaneously invokes our hard-wired propensities to get into a shared rhythm, and contradicts it because one is trying to impose dominance on the other. No wonder face confrontations are so tense. It is not being afraid of being hurt that generates the most tension; nor is it exactly right to say it is fear of hurting the other; it is above all tension specific to tightly focused mutual action at cross purposes. Perhaps I shouldn’t have called in confrontational tension/fear, except that the facial and bodily expressions look like fear.

Face-to-face confrontation is what pumps adrenaline and cortisol, and creates the tension we see on faces and bodies. As  heart beat rises over 140 beats per minute or BPM, fine motor coordination declines, such as aiming a gun; over 170 beats per minute experience becomes a blur; over 200 BPM paralysis can set in. Face confrontations, especially when combined with other sources of tension and arousal such as running, car chases, an angry argument or an emergency call, result in several patterns that we see in violent situations.


NOTE ON POLICY IMPLICATION:  Training of police officers should emphasize explicit awareness of the consequences of very high heartbeat and other bodily signs of extreme tension. The officer who shot an adolescent carrying a toy gun on a playground  (Nov. 2014 in Cleveland) had raced to the scene and fired within 2 seconds after jumping from his car, within the acute confrontational distance of less than 3 meters. Better trained officers would be aware of their own body signs and the danger zone for perceptual distortion, and would not attempt to fire until they had a clear view of the situation. Geoffrey Alpert has shown that officers who are better at controlling the escalation of force have a more deliberate and refined sense of timing in the moves of both sides. More attention to such micro-details should train more officers up to this high level of competence.


If both sides get into the zone of high tension and physiological arousal, the fight will abort; if they do fight (given further situational conditions I will come to shortly), the fight will be incompetent. The same pattern is true for other weapons besides guns, such as knives, swords and clubs, and for fist fights. Since these weapons need very close confrontation, their competence in doing damage is generally low, contrary to what one might think from sword-fighting movies, including those with samurai or magical super-heroes.

How does violence sometimes succeed in doing damage? The key is asymmetrical  confrontation tension. One side will win if they can get their victim in the zone of high arousal and high incompetence, while keeping their own arousal down to a zone of greater bodily control. Violence is not so much physical as emotional struggle; whoever achieves emotional domination, can then impose physical domination. That is why most real fights look very nasty; one sides beats up on an opponent at the time they are incapable of resisting. At the extreme, this happens in the big victories of military combat, where the troops on one side become paralyzed in the zone of 200 heartbeats per minute, massacred by victors in the 140 heartbeat range. This kind of asymmetry is especially dangerous, when the dominant side is also in the middle ranges of arousal; at 160 BPM or so, they are acting with only semi-conscious bodily control. Adrenaline is the flight-or-fight hormone; when the opponent signals weakness, shows fear, paralysis, or turns their back, this can turn into what I have called a forward panic, and the French officer Ardant du Picq called “flight to the front.” Here the attackers rush forward towards an unresisting enemy, firing uncontrollably. It has the pattern of hot rush, piling on, and overkill. Most outrageous incidents of police violence against unarmed or unresisting targets are forward panics, now publicized in our era of bullet counts and ubiquitous videos. 

Can we predict which pattern will happen? The barrier of confrontational tension can be circumvented if one or more conditions are present:

One is attacking the weak. Successful attackers seek out a weak enemy; sometimes this is someone physically weaker, but situational weakness is far more important.  Armed robbers seek isolated victims and avoid  even unarmed groups, and try for surprise, catching their victim off guard, in order to seize the interactional momentum. Attacking weakness also comes from  imbalance of numbers; in photos of riots, almost all the violence happens when clusters of 5 or 6 persons attack an isolated opponent, who is usually knocked to the ground and has their face turned from the attackers. This is more of a social than a physical advantage, because when two or three are attacked, they often succeed in fighting off a much bigger group of attackers; that is, the little group generates enough mutual support so that they are not emotionally dominated.

Another condition, then, is social support from a highly coordinated group of violent actors; an army squad, a SWAT team, a historical phalanx of warriors in close formation: these are drilled to act together, and as long as they focus on their own rhythm, confrontational tension with the enemy is a lesser part of their experience. 

Another pathway is where the fight is surrounded by an audience; people who gather to watch, especially in festive crowds looking for entertainment; historical photos of crowds watching duels; and of course the commercial/ sporting version of staged fights. This configuration produces the longest and most competent fights; confrontational tension is lowered because the fighters are concerned for their performance in the eyes of the crowd, while focusing on their opponent has an element of tacit coordination since they are a situational elite jointly performing for the audience. Even the loser in a heroic staged fight gets social support. We could test this by comparing emotional micro-behavior in a boxing match or a baseball game without any spectators.

Finally, there are a set of techniques for carrying out violence without face confrontation. Striking at a distance: the modern military pathway. Becoming immersed in technical details of one’s weapons rather than on the human confrontation. And a currently popular technique: the clandestine attack such as a suicide bombing, which eliminates confrontational tension because it avoids showing any confrontation until the very moment the bomb is exploded. Traditional assassinations, and the modern mafia version, also rely on the cool-headedness that comes from pretending there is no confrontation, hiding in Goffmanian normal appearances until the moment to strike.

All this sounds rather grisly, but nevertheless confrontational theory of violence has an optimistic side. First, there is good news: most threatening confrontations do not result in violence. (This is shown also in Robert Emerson’s new book on quarrels among roommates and neighbours.) We missed this because, until recently, most evidence about violence came from sampling on the dependent variable. There is a deep interactional reason why face-to-face violence is hard, not easy.  Most of the time both sides stay symmetrical. Both get angry and bluster in the same way. These confrontations abort, since they can’t get around the barrier of confrontational tension. Empirically, on our micro-evidence, this zero pathway is the most common. Either the quarrel ends in mutual gestures of contempt; or the fight quickly ends when opponents discover their mutual incompetence. Curtis Jackson-Jacobs’ video analysis shows fist-fighters moving away from each other after missing with a few out-of-rhythm punches. If no emotional domination happens, they soon sense it.

Micro-sociology of violence is much more optimistic than conventional macro-theories of class or racial inequality, or cultures such as masculine hegemony and honor. These long-term factors are hard to change. But immediate situational conditions are always the bottleneck through which macro-conditions must pass if conflict is to turn into violence. Micro-interactional theory points out situational conditions  to avoid. And it offers micro-practices for each of us to deal with threatening situations in your own life. Keep any confrontation emotionally symmetrical; make confrontational tension work for you by maintaining face contact; avoid micro-escalations; let the situation calm down out of boredom, which is what happens when an interaction becomes locked into repetition. In the violent sociology of emotions, boredom is your friend.

A long-standing criticism of ethnomethodology and other micro-sociology has been that it tells us nothing except tedious details that are really determined at the macro level. The sociology of violence shows this is not true; there is crucial causality at the micro level. And we are extending this to other areas.

Anne Nassauer, assembling videos and other evidence from many angles on demonstrations, finds the turning points at which a demo goes violent or stays peaceful. And she shows that these are situational turning points, irrespective of ideologies, avowed intent of demonstrators or policing methods. Stefan Klusemann, using video evidence, shows that ethnic massacres are triggered off in situations of emotional domination and emotional passivity; that is, local conditions, apart from whatever orders are given by remote authorities.  Another pioneering turning-point study is David Sorge’s analysis of the phone recording of a school shooter exchanging shots with the police, who nevertheless is calmed down by an office clerk; she starts out terrified but eventually shifts into an us-together mood that ends in a peaceful surrender. Meredith Rossner shows that restorative justice conferences succeed or fail according to the processes of interaction rituals; and that emotionally successful RJ conferences result in conversion experiences that last for several years, at least. Counter-intuitively, she finds that RJ conferences are especially likely be successful when they concerns not minor offenses but serious violence;  the intensity of the ritual depends on the intensity of emotions it evokes.

Erika Summers-Effler shows the diversity of emotional practices that sustain social movements whose goals are so difficult that they are permanently failing. Cathartic laughter tinged with mysticism emotionally reboots Catholic Workers among the self-destructively poor; harnessing righteous anger keeps an anti-death-penalty group going although its leader gets most of the energy. Interaction Ritual works very widely as a mechanism, but it can use different emotional ingredients; the landscape of emotion-marked group idiocultures (to borrow Gary Alan Fine’s term) remains to be mapped.

High authorities are hard to study with micro methods, since organizational high rank is shielded behind very strong Goffmanian frontstages. David Gibson, however, analyzing audio tapes of Kennedy’s crisis group in the Cuban Missile Crisis of 1962, penetrated the micro-reality of power in a situation in which all the rationally expectable scenarios led toward nuclear war. Neither JFK nor anyone else emerges as a charismatic or even a decisive leader. The group eventually muddled their way through sending signals that postponed a decision to use force, by tacitly ignoring scenarios that were too troubling to deal with. This fits the pattern that conversation analysts call the preference for agreement over disagreement, at whatever cost to rationality and consistency. Stefan Fuchs, in his micro-sociologically informed theory book Against Essentialism, says that organizational authority looks most rational and decisive when communicating to outsiders; the closer one gets to the inside, the more activities look ad hoc. Authority is a performance for the distance; up close, it dissolves into particularistic idiosyncrasies; perhaps a better way to put this is that it becomes the micro-details of situational interaction.

We have a long way to go to generalize these leads into a picture of how high authority really operates. Does it operate the same way in business corporations? The management literature tells us how executives have implemented well thought-out programs; but our information comes chiefly from retrospective interviews that collapse time and omit the situational process itself. Lauren Rivera cracks the veneer of elite Wall Street firms and finds that hiring decisions are made by a sense of emotional resonance between interviewer and interviewee, the solidarity of successful interaction rituals. Our best evidence of the micro details of this process comes from another arena, where Dan McFarland and colleagues analyze recorded data on speed dating, and find that conversational micro-rhythms determine who felt they “clicked” with whom.

Finally, I will mention my most recent book, Napoleon Never Slept: How Great Leaders Leverage Social Energy. Among others, it analyzes how a famous organization-builder like Steve Jobs used an  style that generated a tremendous amount of emotional energy focused on cutting edge innovation.  Jobs’ interactional style was to evoke extreme emotions, including very negative ones, but unlike authoritarian leaders who bark out critiques and orders and then slam the door behind them, Jobs stayed to argue at great length until the group emotion became transformed into a shared trajectory of action. His insults and obscenities were only the opening move that revved up group emotion; successful IRs transmute the initiating emotions-- whatever they are-- into solidarity, and Jobs kept the group focused throughout the argument until this happened. And it increased everyone's emotional energy; by the end, if it meant staying up 48 hours to fix it, let's get to it.

(Note: The 2015 film Steve Jobs inaccurately portrays how he dealt with his high-tech team, assimilating him to the management cliché of motivating workers by threatening to fire them.)


Such interactional techniques are rare, since they require constantly recycling emotional energy between leader and group; whereas most hierarchic authorities become cut off from those doing the work. Interaction ritual processes suggest a way to make network analysis more dynamic rather than comparative statics; for instance we observe Jobs’ techniques for recruiting the most desirable people and thereby building a productive network.  More generally, we see how entrepreneurs flourish by playing in ambiguous or dangerous networks, interacting with potential rivals and enemies who can steal key information and key opportunities, or band together temporarily to exploit them jointly. Dangerous networks expand by a timely application of emotional domination, in contrast to inner circles of allies (like Jobs' high-tech work group) which are built by cascades of EE.

I will end this scattered survey with some  research that falls into the rubric of Weberian status groups, i.e. social rankings by lifestyle.  David Grazian has produced a sequence of books, Blue Chicago and On the Make, that deal with night life. This could be considered a follow-up to Goffman’s analysis of what constitutes “fun in games” as well as “where the action is.” For Grazian, night-life is a performance of one’s “nocturnal self,” characterized by role-distance from one’s mundane day-time identity. By a combination of his own interviewing behind the scenes and collective ethnographies of students describing their evening on the town, from pre-party preparation to post-party story-telling, Grazian shows how the boys and the girls, acting as separate teams, play at sexual flirtation which for the most part is vastly over-hyped in its real results. It is the buzz of collective effervescence that some of these teams generate that is the real attraction of night life. And this may be an appropriate place to wind up. Freud, perhaps the original micro-sociologist, theorized that sexual drive is the underlying mover behind the scenes. Grazian, looking at how those scenes are enacted, finds libido as socially constructed performance. As is almost everything else.

In conclusion.  Will interaction ritual, or for that matter micro-sociology as we know it, become outdated in the high-tech future?  This isn’t futuristic any more, since we have been living in the era of widely dispersed information technology for at least 30 years, and we are used to its pace and direction of change. A key point for interaction ritual is that bodily co-presence is one of its  ingredients. Is face contact needed? Rich Ling analyzed the everyday use of mobile phones and found that the same persons who spoke by phone a lot also met personally a lot. Cell phones do not substitute for bodily co-presence, but facilitate it. Among the most frequent back-and-forth, reciprocated connections are people coordinating where they are.  Ling concluded that solidarity rituals were possible over the phone, but that they were weaker than face-to-face rituals; one was a teaser for the other.

There is a theoretical reason why full-body co-presence makes for more successful IRs. Full-body presence is multi-channel; it is much easier to catch the other’s emotions, gestures, body posture and rhythm than from voice alone, or even voice-plus-image of the sort that Skype provides.  Bodily co-presence is an important ingredient not in itself, but because it enhances mutual focus-- meta-awareness that the other is focused on what you are focused on; or for that matter, that you are not so fully focused; alienation from interaction is also easier to detect face to face. Full channel bodily co-presence also enhances the other main ingredients of an IR, building a shared emotional mood to a high intensity via a continuous feedback loop; for instance that is why people laugh more when there are more people present.  We could test this by measuring the intensity of laughter among remote users reading on-screen emoticons or expressions like LOL, compared to laughter during physical presence. And bodily co-presence helps build rhythmic coordination; not to say there are no rhythms in exchanging text messages etc, but those rhythms are almost certainly not as fine-tuned as those found in voice recordings of persons who are clicking with each other. 

Also there is touching another person, something that can only be done when bodily present. Such expressions of affectionate or sexual contact are generally reserved for a few relationships (although there are formal versions like handshakes, air-kisses and forearm bumps enacting more limited bits of solidarity). Conceivably future electronic devices might wire up each other’s genitals, but what happens would likely depend on the micro-sociological theory of sex (chapter 6 in Interaction Ritual Chains): the strongest sexual attraction is not pleasure in one’s genitals per se, but getting the other person’s body to respond in mutually entraining erotic rhythms: getting turned on by getting the other person turned on. If you don’t believe me, try theorizing the attractions of performing oral sex. This is an historically increasing practice, and one of the things that drives the solidarity of homosexual movements. Gay movements are built around effervescent scenes, not around social media.

Voice conversations require co-presence in time if not in space, whereas this limitation does not hold for other electronic media, allowing them to reach far larger networks. It still appears that the greatest amount of back-and-forth messages happen among a relatively small proportion of social media “friends” who also meet physically. Big media-only networks numbering in the hundreds or more-- other than for celebrities who use them essentially as broadcast media-- are built either by assembling old schoolmate networks, or among professionals in a specialty. Yet the one type of professional network I have studied, philosophers and other intellectuals, has the pattern that those who have the most network connections to eminent persons, themselves are more likely to become eminent; and these connections involve a crucial period of face contact. In other words, having a far-flung network does not do very much good for one’s intellectual career unless you meet these people personally.  Meeting to do what?  To carry out intense intellectual IRs, getting the emotional emphasis that comes from being at the forefront of research and argument. In the absence of systematic research it is dangerous to extrapolate from one type of arena to another; but my impression is that although top financiers and business executives have very large social networks-- they had these already in the era before the social media-- their crucial deal-making happens by face meetings. Emotional domination and persuasion happen most subtly and effectively in full-body presence. It seems likely that persons who rely exclusively on distant electronic networks are stratifying themselves into a lower tier beneath the elite.

Of course the media of communication change; but the stratified patterns of intellectual networks have remained across a very long history of media inventions, including writing, book publishing, printing, letters delivered by postal service, newspapers and journals, and the first electronic media, the telegraph and telephone. In recent years I get communications from distant scholars by email; but those in areas of strong mutual interest soon travel to discuss things personally; and these personal contacts are what accelerate the process of creative research.

It would be foolish to postulate that electronic or other media technologies will never be invented that mimic the key aspects of bodily IRs:  that is to say, that can enhance sense of mutual attention, strengthen shared emotions, and get people electronically entrained in interpersonal rhythms. Given the existence of micro-sociological understanding, it is more than likely that media technologists will try to mimic real-life IRs. Crude advances in social Artificial Intelligence are already pointing the way, as are efforts at virtual reality. It may become possible to electronically stimulate the emotional and rhythmic parts of the brain; the result might well be a high-tech version of heroin addiction. But I doubt that the real social interactional world will go away; people who become electronic junkies will be dominated by people who use a wide spectrum of successful IRs, and at the core of those networks will be real people who meet bodily.

I am not a fan of science fiction, which always struck me as mostly recycling mythologies of the pre-modern past. In this talk I have been tracing the history of micro-sociology over the past half-century or so, and we can see the direction things are going. Micro-sociology grew up with a sequence of inventions that might be called information technologies: tape recorders, videos, photos of facial expressions of emotions, long-distance photography, computer-stored messages, and now portable monitors of physiological body signs being used in sports training and the military. Better to call these micro-interactional technologies, or micro-interactional recording technologies, because they give us new kinds of data we can pore over in detail and thereby discover new patterns.

Thus, two projections for the immediate future of micro-sociology, let us say the next two decades, by which time I will probably be dead. First, micro-sociology is going to get even better data, and the key things we will learn will be about mechanisms of mutual awareness, the causes and consequences of a variety of shared emotions, and the patterns of rhythmic entrainment that together determine levels of solidarity and emotional energy. What Durkheim and Goffman formulated are among the most important discoveries of sociology; they will be modified but they will not go away.

Second, micro-sociological technologies are going to spin off new combinations and advances from themselves, in the usual cascade of technological innovation.  But technologies develop in tandem with theories, and the theory that knows the most about how humans do interaction is micro-sociology.  We are going to be part of that technological cascade, whether we like it or not.

As we said in the 1960s, it’s been quite a trip. And it's not over yet.


REFERENCES

Alpert, Geoffrey P., and Roger G. Dunham. 2004. Understanding Police Use of Force.  Cambridge Univ. Press.

Ardant du Picq, Charles. 1921.  Battle Studies.  New York: Macmillan.

Blumer, Herbert. 1969. Symbolic Interaction.  Prentice-Hall.

Collins, Randall. 1998. The Sociology of Philosophies. A Global Theory of Intellectual Change.  Harvard Univ. Press.

---                          2004.  Interaction Ritual Chains.  Princeton Univ. Press.

----                        2008.  Violence: A Micro-Sociological Theory. Princeton Univ. Press.

Collins, Randall, and Maren McConnell. 2016. Napoleon Never Slept. How Great Leaders Leverage Social Energy.  Published as an E-book by Maren Ink:   http://maren.ink

Draper, Scott. 2014. "Effervescence and Solidarity in Religious Organizations." Journal for the Scientific Study of Religion  53: 229–248.

Ekman, Paul, and Wallace V. Friesen. 1975. Unmasking the Face. Englewood Cliffs NJ: Prentice-Hall.

Ekman, Paul. 2009.  Telling Lies: Clues to Deceit in the Marketplace, Politics, and Marriage.  New York: Norton.

Emerson, Robert M. 2015. Everyday Troubles: The Micro-politics of Interpersonal Conflict. Chicago: University of Chicago Press.

Fine, Gary Alan.  2012.  Tiny Publics. A Theory of Group Action and Culture. NY: Russell Sage Foundation.

Fuchs, Stefan. 2001.  Against Essentialism. Harvard Univ. Press.

Garfinkel, Harold.  1967. Studies in Ethnomethodology.  Prentice-Hall.

Gibson, David R.  2012. Talk at the Brink: Deliberation and Decision-Making During the Cuban Missile Crisis. Princeton University Press.

Goffman, Erving. 1961.  Asylums. Doubleday Anchor Books.

--                        1963. Behavior in Public Places.  N.Y.: Free Press.

Grazian, David. 2003.  Blue Chicago: The Search for Authenticity in Urban Blues Culture.   University of Chicago Press. 

--                        2008.            On the Make: the Hustle of Urban Nightlife.  University of Chicago Press.

Grossman, Dave. 2004.  On Combat. The psychology and physiology of deadly combat in war and peace. Belleville IL: PPTC Research Publications.

Hochschild, Arlie. 1983. The Managed Heart. Univ. of California Press.

Jackson-Jacobs, Curtis.  work in progress.

Katz, Jack. 1999.  How Emotions Work. Univ. of Chicago Press.

Kemper, Theodore. 1978. A Social Interactional Theory of Emotions. NY: Wiley.

Klusemann, Stefan. 2010. “Micro-situational antecedents of violent atrocity.”  Sociological Forum 25:272-295.

Klusemann, Stefan. 2012. "Massacres as process:  A micro-sociological theory of internal patterns of mass atrocities." European Journal of Criminology 9: 438-480.

Ling, Rich. 2008.  New Tech, New Ties: How Mobile Communication is Reshaping Social Cohesion.  M.I.T. Press.

Marshall, S.L.A.  1947.  Men Against Fire. The Problem of Battle Command. Norman OK: Univ. of Oklahoma Press.

Nassauer, Anne. 2012. Violence in Demonstrations. A Comparative Analysis of Situational Interaction Dynamics at Social Movement Protests. (PhD Dissertation)  Berlin Graduate School of Social Sciences.

Pagis, Michal.  2015. "Evoking Equanimity: Silent Interaction Rituals in Vipassana Meditation Retreats." Qualitative Sociology 38: 39–56.

Rivera, Lauren. 2015. "Go with Your Gut: Emotion and Evaluation in Job Interviews." American Journal of Sociology  120: 1339-1389.

Rossner, Meredith. 2013. Just Emotions: Rituals of Restorative Justice.  Oxford University Press. 

Sacks, Harvey,  Emanuel A. Schegloff, and Gail Jefferson. 1974.  "A simplest systematics for the organization of turn-taking for conversation."  Language  50: 696-735.

Scheff, Thomas J. and Suzanne Retzinger. 1991. Emotions and Violence: Shame and Rage in Destructive Conflicts. Lexington Mass: Lexington Books.

"Shooting of Tamir Rice." https://en.wikipedia.org/wiki/Shooting_of_Tamir_Rice

Sorge, David. 2016. "The De-Escalation of a School Shooting: Toward a Micro-Sociological Theory."  work in progress.

Summers Effler, Erika.  2010. Laughing Saints and Righteous Heroes: Emotional Dynamics in Social Movement Organizations. Univ. of Chicago Press.

Turner, Jonathan. 2000. On The Origins of Human Emotions: A Sociological Inquiry into The Evolution of  Human Affect.   Stanford: Stanford University Press.

Wacquant, Loic.  2004.  Body and Soul.  Notes of an Apprentice Boxer.  NY: Oxford Univ. Press.

Wiley, Norbert. 1994. The Semiotic Self.  Univ. of Chicago Press.

Saturday, April 9, 2016

A PLACE IN THE INTELLECTUAL ATTENTION SPACE


Some years ago I was visiting Bielefeld University, at the time Germany's most intellectual university. All the university buildings are connected to a massive covered mall, which gives an atmosphere of student life reminiscent of Telegraph Avenue in Berkeley at the height of the 60s. For instance, my hosts pointed out the famous naked weight-lifter, a body builder who paraded around completely naked, in the all-weather arcade.

After my lecture, when on-the-make academics usually come up to introduce themselves, I was approached by a middle-aged man dressed in scruffy student style. He said confidently, I have listened to your lecture, and now I ask you to buy my book. It was a home-made book sewn together out of folded typewriter paper, written in cursive handwriting. I flipped it open and glanced through a few pages. How much do you want? I said. Ten Euros, he replied confidently. It's a bargain, I said, and gave him the money.

The book is repetitive, and each section is given first in German, then in English, French, and sometimes Italian and Spanish. Here are some sample pages. 













































 








































































 



























































































































































Concluding note:
"Imagine a large number of people spread out across an open plain -- something like a landscape by Salvador Dali or Giorgio de Chirico. Each one is shouting, 'Listen to me!' This is the intellectual attention space. Why would anyone listen to anyone else? What strategy will get the most listeners?...

"Of course one might reject the whole image as offensive to intellectual values, the pursuit of truth for its own sake. Very well; let us adopt this pursuit of truth as our starting point. Dispersed across an open plain are a number of persons pursuing truth. Why should anyone listen to what any particular individual among them says is the truth? The problem of forming a truth-recognizing community is exactly the same as the problem for attention seekers, and the rest follows as before."  Randall Collins, The Sociology of Philosophies, pp. 38-39.







Wednesday, January 6, 2016

STAR WARS IS NO MATCH FOR TODAY'S MILITARY FORCE



Star Wars: The Force Awakens is set in the distant future, but militarily it is far out of date.

The "smart" weapons of the 1990s and the computerization of the battlefield make gun-fights with the First Order's storm troopers as anachronistic as a cowboy movie. The aerial sequences are closer to World War I dogfights than they are to modern air power.

A battalion of U.S. Marines has the fire-power to beat all the Evil Empires put together.

[1] The storm troopers carry complicated-looking weapons, but the resemblance to modern automatic weapons ends there. They fire single shots with pauses in between, and their shots rarely hit anybody. OK, this is a Hollywood convention, because the main characters in your story can't get killed (at least until the end when one can be sacrificed in an emotional scene). And yes, it is true that soldiers pumped up with adrenaline in real combat miss their targets a lot. After the Korean War the U.S. Army figured this out, and shifted over to automatic weapons for combat infantry. Since their aim isn't that good, the emphasis is on laying down an overwhelming amount of fire, coordinated to blanket enemy positions. Today's infantry rifles fire at a rate of hundreds of bullets per minute; some hit their targets and the rest help keep the enemy's heads down so that our own troops can maneuver.

Unfortunately for the movies, this does not make very picturesque action; the battlefield is mostly empty and distant. So instead we get close-range shot-by-shot exchanges with both sides' soldiers clear and distinct on the screen. Star Wars storm troopers just make a large flash and a bang, more or less equivalent to the blunderbusses fired by Spanish conquistadors back in the 1500s, which had most of their effect by scaring the enemy into running away. Of course our movie good guys stand their ground; and they look maximally heroic by firing back with pistols that they hardly need to aim, making perfect one-hand shots although real-life technique is to steady the pistol with both arms.  In the adrenaline rush of real violence, handgun shots can go anywhere and often hit the wrong person (as police shootings so often show).

If your want a palatable-looking, cleaned-up gun battle, the Star Wars staging is the way to do it. In real combat, such forces would be beaten by today's small infantry units armed with automatic weapons. And that doesn't even count hand-carried explosives such as RPGs, or distance weapons such as artillery, rockets and missiles. Modern military tactics emphasizes combined arms, coordinating different weapons systems to support each other. But that would give a bureaucratic picture that does not translate well to the screen.

[2]  The most futuristic-seeming part of Star Wars are the flying machines: space ships that look like flying saucers or entire planets, fighter jets with fanciful X-wing configurations or things that look like box kites. But the aerial combat is distinctly early-twentieth century. For one thing,  Star Wars pilots fly their planes on their own; gunners choose their targets, aim and fire, hit or miss. All this became out-dated by the 1990s.

Now the most important part of an aerial battlefield is what looks like a commercial airliner circling 200 miles away. It is full of computers that keep track of all the hostile aircraft, and guide friendly aircraft on their flight paths (including keeping them from running into each other), while sending targeting information directly to their on-board weapons. Pilots in air-to-air combat and in ground attack planes that serve as flying rocket launchers are mainly along for the ride. The control computers can fly the planes on their own; the humans are backups in case something goes wrong. 

The dozens of aircraft in a battle are just pieces of a computerized network, like every other weapon whatever platform it is fired from: rockets launched by ships, ground artillery, armor, or foot soldiers on the ground. There are technological eyes and ears stacked up in the sky and at vantage points on the ground, all sending back information to the computers, and receiving messages controlling what they do. GPS coordinates, laser tags marking targets, electronically enhanced optical images identified by matching images stored in archives, infra-red heat sensors-- together these make up an electronic octopus whose tentacles look at everything and command everything in the war machine. Even the enemy's electronics are turned against them: anti-radiation missiles home in on anything that emits radar, so that as soon as they start to fire they become targets for precision-guided munitions that lock onto them. The focus of the battlefield is no longer the warriors but the all-encompassing network that guides them.

The dogfights in  Star Wars resemble nothing so much as the early flying days of World War I, where planes really did chase each other through the skies, hid in clouds, and tried to attack from a blind spot by flying out of the sun. World War II had the most ace pilots-- those who racked up large numbers of aerial kills-- because it was a war when bombers were used to attack enemy infrastructure, fighter planes escorted the bombers, and fought off enemy fighters who attacked the bombers. The number of aces has declined ever since; by the time of the first Gulf War most enemy aircraft were destroyed on the ground by precision long-distance munitions. 

Stars Wars has remained a lot like Flash Gordon-- the future as seen from the 1930s. Even the shapes of the aircraft or spacecraft have a pre-1918 look: the box-kite fighters of the First Order echo the double-winged hollow crates of the early days of flying.  Its enormous flying globes, although depicted on the inside like skyscrapers with cavernous elevator shafts, from the outside resemble Zeppelins and other gas-filled balloons with spacious passenger lounges slung beneath them.

Bottom line: the flying craft of both the First Order and the Resistance would be swiftly located, tracked, locked-onto, and destroyed by the smart weapons of today's Air Force and the other services, with no more trouble than the first days of Gulf War One and Two.

[3]  Leading actors fight each other with light sabers. OK, it's bright and colourful, and it's good for merchandizing, as well as dramatic climaxes. Obviously it goes against the real-life trend to distant battle mediated by computers.  Dueling with swords was the honorable way of fighting from the Middle Ages up through the early 20th century in places like France and Italy. It was honorable because only gentlemen could duel; if you weren't elite enough, a gentleman would refuse to fight you, and might have his servants throw you out in the street. So the duel with light sabers is quite literally a showdown between heroes, with a bit of futuristic magic so that the blades appear out of thin air and glow in the dark. And, oh yes, they are good for repelling bullets, like Wonder Woman's magic bracelets.

Let's pin down the light saber duel a little more sharply. To be picky, it's not really a saber.  A "sabre" (as originally spelled) is a curved blade, sharp only on one edge, used for slashing rather than thrusting. It was mainly a cavalry weapon, used to slash down at the enemy.  German dueling fraternities in the 19th century used it, because their aim was to limit damage to superficial slashes, rather than deadly piercing through the body. The Star Wars light saber is really an epée,  as the French would call it-- straight, double-edged, with a big cross-shaped handle. And yes, a more deadly weapon.

In  The Force Awakens, the light saber duels aren't even really fencing. Mainly they are battering at each other's blade, with gains made by sheer strength of throwing the opponent backwards or pushing them to the ground. This looks like a form of fighting that goes back even before the time of sword duels, fighting with wooden staves, like Robin Hood fighting with Friar Tuck. (Long staves were carried by wanderers chiefly to fend off attacking dogs.) It is more like Greco-Roman wrestling with long poles. Why did the latest Star Wars chose to depict light saber fights in this way? It makes the duel less deadly. And it keeps up the modern liberal belief, that we don't fight unless necessary, and even then we do as little damage as possible once we've won. This is a nice ideal, even though it doesn't fit today's world very well.

[4]  What about the robots?  This is undoubtedly the way of the future, although it was more visionary in 1977 when the first Star Wars appeared.  Robots are self-propelled machines whose skills come from on-board computers, and are autonomous to the degree they get input from their own sensors.  The most important war robots that exist today are smart missiles, that sense their own position relative to a target and guide itself in to destroy it.  This kind of war robot is conspicuously absent from The Force Awakens. It would undermine the heroism of pilots, as well as their close encounters with enemies. And it would make robots menacing.  Instead, all the Star Wars robots have been human-like, virtually harmless, cute as pets; they provide comic relief and a sentimental touch by mimicking sympathetic emotions. On the whole they are like loyal dogs who love their masters.

What we don't see are the massive computers that run today's war organization, compiling information, calculating plans, issuing orders to far-flung war machines and to the humans attached to them. The possibility that this will be the dark side of the future is never invoked.  Even the forces of Evil are not depicted as very computerized; both sides use the same kind of technology, and the only differences are moral, how humane they are. 

A future Star Wars installment could take the route where the Evil side is a war machine ruthlessly controlled by a centralized computer.  In fact, it would look something like our military organization today. One problem with this plot line is that the more computerized side would probably win, especially if the Resistance confined itself to low-tech pilots, pistols, and light sabers.

One more place where The Force Awakens  is behind the times is in surveillance and base security. The heroine Rey and her rescuers scurry around the corridors of the enemy base, evading guards and climbing walls. Today there would be CCTV cameras all over the place, and desks monitoring all the feed; intruders would be located almost immediately. Of course there are good dramatic reasons to omit this; sneaking around inside the enemy's castle has been a staple of adventure and suspense ever since The Wizard of Oz.  On defense, too, today's military and security apparatus is far more powerful than Star Wars.

[5] Symmetrical and asymmetrical war. The fights between the Resistance and the First Order are essentially symmetrical. They are set-piece battles between infantries, or between air forces, with the same kinds of weapons on both sides. In this sense Star Wars hankers back to World War I and II. This is another respect in which Star Wars depicts relatively cleaned-up war.

The term "Resistance" against a huge empire suggests the opposite kind of war, which is what the fighting in Iraq, Afghanistan, Syria and most other places has been in recent years. Asymmetrical war is especially nasty because the weaker side cannot match up with the stronger on a battle front, so they resort to guerrilla tactics: hit-and-run, ambushes, clandestine bombings. Since there are no front lines, fighting takes place in the midst of civilian populations. Guerrillas hit undefended targets, especially civilians because they are the easiest. And since guerrillas disguise themselves as civilians and hide in the civilian population before and after their attacks, efforts to ferret them out kill more civilians.  Vietnam set the pattern of this kind of war, a war we would like to forget since it was intrinsically a war of competing atrocities, like all guerrilla wars.

Today we call it terrorism. And this is one more reason why the Star Wars franchise can't depict war as it really is in the era of high-tech weaponry. If the Resistance really were weaker, they would have to become terrorists.

Yes, Star Wars is entertainment, and that means escape from reality. But one thing it proves is that we can't escape into the future.  The majority of sci-fi adventure shows ever since Flash Gordon have been trips not so much to the future as to the Middle Ages, land of sword-and-sorcery. The trend towards bureaucracy-reinforced-by-technology doesn't give the kinds of adventure drama we enjoy. Star Wars is a lot more fun than Orwell's 1984, where everyone's TV set spies on you. Sure, the Middle Ages wasn't really that nice either, but it had one thing we miss: it had better mythology.   It's the magic that can pop up all around us-- magic weapons, magic spells, magic Forces that still carry a tinge of religion and moral choice. And that's a relief from the technological labyrinth that is becoming our future. 

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 Napoleon Never Slept: How Great Leaders Leverage Social Energy  
 Micro-sociological secrets of charismatic leaders from Jesus to Steve Jobs
E-book now available at Maren.ink and Amazon
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REFERENCES

Biddle, Stephen.   2004.  Military Power.  Explaining Victory and Defeat in Modern Battle.   Princeton University Press.

Collins, Randall. 2008. Violence:  A Micro-Sociological Theory.  Princeton University Press.

Collins, Randall. 2010.  “A Dynamic Theory of Battle Victory and Defeat.” Cliodynamics: The Journal of Theoretical and Mathematical History  1: 3-25.  http://escholarship.org/uc/item/5mv6v0r1

Gordon, Michael R. and Bernard E. Trainor. 2007.  Cobra II. The Inside Story of the Invasion and Occupation of Iraq.   Random House.

King, Anthony.  2011. The Transformation of Europe’s Armed Forces.  Cambridge University Press.

McIvor, Anthony D. (ed.)  2005. Rethinking the Principles of War. Annapolis MD: Naval Institute Press.